Bandit Lites Powers Treaty Oak Revival’s Rapid Rise with Lighting Designer Adam Nunley
FOR IMMEDIATE RELEASE

Nashville, TN – As Treaty Oak Revival continues its meteoric ascent from playing small clubs to selling out arenas of 17,000 fans, Bandit Lites is proud to support the band’s explosive growth with a dynamic lighting system designed in collaboration with Lighting Designer Adam Nunley.
In just a few short years, Treaty Oak Revival has evolved into one of the most talked-about acts on the road today, captivating audiences nationwide with high-energy performances and a rapidly expanding fanbase. To match that momentum, Nunley partnered with Bandit Lites to deliver a scalable, reliable lighting package capable of meeting the demands of increasingly larger venues.
Nunley’s design approach emphasizes both efficiency and impact, ensuring the rig delivers maximum coverage while remaining manageable for a lean crew. “We wanted something that was quick, easy and fast – but could also get us coverage,” he explained. “This gives us exactly the coverage we need. It’s what me and Austin sat down and said, we can do this if it’s just the two of us.”
With Bandit’s centrally located Nashville operation and deep inventory, the touring team has the confidence to keep moving at the band’s breakneck pace.
“Being with a large company out of Nashville, centrally located – they can get you gear really fast,” said Nunley. “So even if you have something break, it’s usually a 24 hour or a 48 hour turnaround.”
The result is a versatile system that has grown alongside the band, evolving from a modest setup into a full-scale arena-ready production. Lighting Technician Austin Williams has witnessed that transformation firsthand.
“It’s just been a massive expansion from last year,” said Williams. “We were just a ground package last year. And moving to our aerial rig plus ground floor package and all the lighting that we have going on now.”

Beyond the technical execution, Nunley credits the band’s music as a driving force behind the show’s success. “With this band one of the greatest things about being their LD is, I don’t have to cover up crappy songs,” he added, “every song that’s played in this setlist, every word will be screamed from 15,000 people at the top of their lungs.”
With momentum continuing to build, the future looks bright for Treaty Oak Revival and its touring team. “And already the talks of 2027 are looking pretty juicy,” Williams shared.
Production Manager Nathaniel Herrera has worked closely with Bandit to make sure all of Treaty Oak Revival’s needs are met. “We’ve been working so hard day and night, and I’m so excited,” Herrera explained, before discussing the future of Treaty Oak Revival. “Me and my team have already started working on it – 2027 is where it’s at! It’s going to be a whole new level of production.”
Bandit Lites remains committed to supporting artists at every stage of their journey, delivering innovative lighting solutions that scale with their success.

Some of the equipment Bandit provided to help bring Nunley’s vision to life include:
- 10 FlexRax 4’
- 12 Tyler Truss 10’
- 4 Tyler Ladder Towers
- 51 Clay Paky Sharpy X Frames
- 26 Chauvet Rogue Outcast 1 BeamWash
- 13 Elation Proteus Rayzor 760
- 5 Elation KL CYC L
- 42 Chauvet Strike Array 2
- 35 GLP JDC Burst 1
- Grand MA3
- 4 Master FX Mystic Mini
Treaty Oak Revival Lighting Crew
- Adam Nunley – Lighting Designer
- Glenn Rupert – Crew Chief
- Nathaniel Herrera – Production Manager
- Austin Williams – Lighting Tech
- Tristan “Youngbuck” Hopkins – Lighting Tech

About Treaty Oak Revival
Hailed by Rolling Stone as “one of the most exciting live experiences in all of music,” Treaty Oak Revival have risen from the oil fields of Odessa, TX to become one of the most formidable independent forces in modern country rock. Blending Southern grit, punk energy and red-dirt storytelling, the five-piece powerhouse built a rabid following the old-fashioned way by touring relentlessly and releasing music on their own terms.
Their first two albums, No Vacancy and Have A Nice Day, were both self-released and RIAA Gold-certified, producing five Platinum-certified singles and six Gold-certified singles. Their third self-released studio album, West Texas Degenerate, debuted at No. 1 on Billboard’s Top Rock Albums and Americana/Folk Albums charts and has amassed almost half a billion streams to date, contributing to more than 3 billion global streams overall and over 8 million monthly Spotify listeners. With nominations from the Billboard Music Awards and the Academy of Country Music Awards, a debut at the Grand Ole Opry, and major festival appearances at Stagecoach Festival, Bonnaroo, Lollapalooza and Vans Warped Tour, Treaty Oak Revival continue to prove that arena-sized success doesn’t require a major-label machine, just songs that hit hard and mean it.
